1. |
In Memoriam Gregor Samsa
10:31
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2. |
March Of Time
08:33
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3. |
Snowcrash
09:17
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4. |
Paleburst
07:51
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5. |
Mangetsu
08:23
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6. |
Inland Empire
08:55
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7. |
Silhouette
10:26
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8. |
Mori
09:20
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Cycle~ 440 Perth, Australia
Cycle~ 440 is the semi-improvisational electro-acoustic duo of Sam Gillies and Kevin Penkin that fuses acoustic piano with extensive laptop sampling and processing to create alternating soundscapes of extreme fragility and overwhelming density.
If you like Cycle~ 440, you may also like:
The Cloud Machine
by Andrew Heath
Inspired by the simple innocence of his own childhood, Andrew Heath composes soothing drones, rich in texture.
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The gorgeously minimalist “boat” blends long, sustained major chords with the sound of lapping waves.
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Re-Cartographies
by Luis Miehlich
A combination of looping, spacial effects, and modular synthesis turns modern classical sounds into submerged, haunting ambient.
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Slow-moving contemporary classical that drifts like the ice floes on the cover, tranquil & meditative.
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An Imaginary Autumn
by Tatsuro Murakami
Haunting electroacoustic music that at times borders on drone, gentle melodies summoning memories of days long past.
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Where The Light Enters
by Sævar Jóhansson
Moving piano melodies fill up “Where the Light Enters,” each rolling arpeggio or plaintive lead conjuring a wellspring of emotions.
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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